literature

Suffering Mind

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ihaveastory's avatar
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Published:
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Literature Text

Words do little
But drift between lines
Of this still, suffering mind.

(tell tales like
secrets born of
haunted houses
or creaky old floors.)

Something is gone,
The sense of the 'other than',
Beyond self or reason.

(water over or under
bridges burning,
or building,
up and away
from what was.)

But what won't be,
Is the still thought of
This could-be-man.

(stuck underneath weight,
histories, in re-dug
excavated graves like
picked scabs raw
to the air and
fresh to the mind.)

Lost to him, the subtle differences
Between being alive and living.
Work in Progress - Written December 22, 2008 (Updated July 11, 2009)

EDIT:
After a critique from *Cyantre I took another look at Suffering Mind and made some changes. A few small word choices, removed a line, reformatted the italics portions, and added a stanza (hopefully tieing in the last two lines a little better.) The original is below, I would love to know if you like the changes, and of course all other crit and comments are welcome!

Special Thanks to *Cyantre for taking the time to read, think about, and critique.

Original
------
Words do little
But drift between lines
Of the still, suffering mind.

Play tricks for treats!
and tell tales like
secrets born of
haunted houses
or creaky old floors.


And something is gone,
The sense of 'other than',
Beyond a self or reason

Water over or under
bridges burning,
or building,
up and away
from what was.


But what won't be,
Is the still thought of
This could-be-man,

Lost to him, the subtle differences
Between being alive and living.
© 2008 - 2024 ihaveastory
Comments33
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Cyantre's avatar
:star::star::star::star-half::star-empty: Overall
:star::star::star::star-half::star-empty: Vision
:star::star::star::star-half::star-empty: Originality
:star::star::star::star-half::star-empty: Technique
:star::star::star::star-half::star-empty: Impact

There are a few poems I have seen where there are essentially two voices within the piece. One voice being the focal point of the piece, and other serving as more of an internal voice commenting on different parts of the piece. From my experience, putting the internal voice in brackets works best.

The poem itself is on its way to being a good piece, but it feels a bit like a rough draft. Fleshing out the poem a bit more, adding more verses, and developing the message you are trying to convey to the reader would help this piece immensely.